The Empty Tomb: Bringing the Symbol to Life with the First Prototype

Previously – The Empty Tomb: Putting the Symbol Out Into the World

After proving there was real merit to the Empty Tomb symbol and that people were genuinely interested in seeing it on some type of accessory, my thoughts went immediately to who in the world I could call upon to help me make my germ of an idea into something real.

Thankfully, I’m Mormon. That means I know a guy for just about everything. Need work done on your car? I know a guy. Your house? I know a guy. What about a lawyer or a handyman or a foot doctor? I know a guy. A cop? I know a few. Mormons are everywhere and we’re all connected to each other with not very many steps in between. Basically, every Mormon is Kevin Bacon.

I didn’t even have to go outside of my own circle at to find the perfect partner for the Empty Tomb project. Jeff Kennington at Kennington Jewelers sold my wife and I our wedding rings. My Mother-in-Law is one of his most frequent customers. He’s also my uncle.

Jeff reminds me of my dad probably more than anyone else I know. Hopefully, he takes that as a compliment because my father was not only one of the better people I’ve known, he also had no small part in inspiring the Empty Tomb symbol in the first place.

Dad died as a victim of an armed robbery in 1996 after claiming for years that he would die before seeing his sons grow up. I was 19 at the time, and my youngest of three brothers was 10. Dad was 47. H is final years were full of pain and struggle as he had suffered no small amount of physical complications from another armed robbery eight years prior.

If you watched the above videos you heard my dad say it boldly: “I’m not afraid to die.” He really wasn’t. He talked all the time about what a grand adventure death would be and how much at peace he was with the idea–to him, fact–that he was not long for this world. He was a believer in the resurrection. He looked forward to living again and his body being restored to perfect order. It was his understanding of the gifts Christ had given him that got him through some pretty tough days and gave him a courage I still envy. Dad taught me more about the Living Christ through his powerful, matter-of-fact faith than any other book, teacher, or person I’ve known.

Jeff was a good sport about my email inquiry. He didn’t even tell me straight off like he should have about how he gets a million of these proposals from people who have the “next big idea” in jewelry that will make him millions. Instead, he looked at the design, considered the social media response and read the reactions, and ultimately concluded that I just might have something.

“There are no guarantees,” he said. “But this probably has the best shot of anything I’ve ever seen.”

Jeff and I working on the initial 3D model of the pendant.

Jeff, who I like to refer to as “Master Craftsman,” is real DIY jeweler.Kennington Jewelers specializes in high end and custom jewelry and Jeff has all the tools and equipment he needs to make just about anything he or anyone else can imagine. Immediately, we both wanted to make the symbol real. We wanted a pendant, in our hands.

Using the computer at the back of his store, Jeff immediately went to work on a 3D model using CAD to bring my flat design out of the 2D realm.

And, specifically, to my wife.

My wife, Erin, the first person to wear the Empty Tomb symbol (and owner of the first prototype!)

The road from designing the pendant to reality was a bit longer than I might be making it seem. Once the design was finessed in the computer (Jeff was extremely patient with my requests to take off 1/8 of a millimeter here and add 1/10th of a millimeter there), Jeff made a wax mold, cast it in white gold, polished it, added a chain, and probably did a whole bunch of other stuff I’m forgetting or just plain don’t know about. Because Jeff is the real brains of this operation.

Jeff, working hard on the first prototype.

Close up of the first pendant prototype.

In the end, we ended up with something that very, very closely resembled my initial drawings. We opted for putting two o-rings on either side of the pendant because of concerns over the inherently uneven weight distribution across the symbol. The thinking was that splitting the chain and attaching it at the o-rings would balance it out for the wearer.

But, as it turned out, we didn’t need to be all that worried about imbalance. There was a much, much simpler solution…

Next: The Second Prototype.

What Violet, my youngest daughter, does while waiting for Mommy and Daddy to finish working with Uncle Jeff.

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The Empty Tomb: “Why Can’t There be a Symbol of the Living Christ?”

I have a new project I’m throwing myself into concurrently with everything else going on. Since this is very much related to my unemployment and everything else going on in my life, I decided I had best start writing about it. This is the first in a short series of blogs on this project, one that means a great deal to me. It’s gonna get a little religious up in here, but for you process junkies I recommend sticking around. This is a fascinating world I’ve stepped into.

It’s not that I think the cross as a symbol is bad, it’s that it never really spoke to me.

As a Mormon, I was raised without it. No crosses on the churches, none in the home I grew up in, and if I ever saw a piece of jewelry with the cross it was usually on the person of someone well outside my usual circle.

As I got older and my circle expanded and I met my wife who was raised with the cross as the primary symbol of her faith, I came to appreciate its power as a symbol. It’s so elegantly simple and brings to mind instantly Christ’s suffering and sacrifice. Good things for any Christian remember on a daily basis.

I love what the cross represents, but I couldn’t help but wonder:

Why can’t there be a symbol of the Living Christ?

The sacrifice Christ made as Savior is important and that importantance can never be overstated. It is because of Him that forgiveness and change is actually within our reach and that’s a beautiful, world-changing thing.

But the miracle–the fulfillment of all that Christ promised–occurred on the third day after his death. The stone was rolled away, the tomb left empty. Mormons, Protestants, Catholics, and every kind of Christian in between believe in a resurrected Christ–a Living Christ who will one day come again and reveal Himself to the world. But there’s no symbol for that.

Why can’t there be a symbol of the Living Christ?

I, of course, did not grow up without symbols entirely. The Angel with the trumpet on top of Mormon Temples is instantly recognizable. The symbol for “CTR”, in all its configurations, appears frequently in Mormon culture on everything from jewelry to t-shirts to cross stitches on walls, serving those who know its meaning as a reminder to always “Choose the Right.” But neither of those symbols reflects specifically a belief in Christ.

It was as I was reflecting on all of this that my graphic design training kicked in. Part of the beauty and efficacy of the cross is that not only is it a potently designed symbol, it also is representative of a real world object. It’s almost coincidental in its construction as a symbol and all the more powerful for it. You have to respect and admire the cross, on a variety of levels.

So, if there could be a symbol with similar meaning and potency (yet significant in its differences) as the cross, it would have to be equally as elegant and simple and almost coincidental in its construction. It would have to draw on an easily recognized iconography that already exists that could be readily recognized and understood.

And it was as I was thinking about all of this that I drew this:

Next: Surprising reactions to the design and its hidden meaning.