Is the Hunt for Publication Already Over?

Over that past month I’ve been submitting The Other Side of Fear like crazy, and I think I might be done. I’ve sent either a query, sample chapters, or the full manuscript (or some combination of all three) out to 17 literary agents and 2 publishing houses. I’ve heard back from two agents so far. Both rejected the book, though one of them did forgo the traditional form letter to send me a nice, brief personal note about how much she admires the project but doesn’t feel she’s a good fit for it. Fair enough.

That doesn’t answer the question implied in the first sentence of this blog. Namely, why am considering quitting the hunt? I’ll get to that.

If you’re like me 11 years ago, you stumbled on that word “query” above. It’s short for “query letter,” and it’s the most basic document an author sends out when submitting. It’s a pitch, both of your book and, a little bit, yourself. It’s maybe the most difficult three or four paragraphs an author will ever write because it has to do so much in such a small amount of space. Agents and publishers receive hundreds, sometimes thousands of query letters every year, and there’s lots of ways to do them incorrectly. You both want to follow the expected format and convey the right information, and also stand out from the pack. It’s not easy. It really is a horrible piece of writing I loathe and hope to never write again.

When I first started this process, it was helpful to me to see what other authors had written as their query letters. In the spirt of that, here’s what I’ve been sending out (though I will modify it here and there, depending on who I’m sending it to):

 

Dear Mr. Agentman,

After my father is shot twelve times in an armed robbery and survives, I begin a journey of self-discovery and questioning of my faith that brings an unwanted, angry tension to our relationship. Eight years later, Dad is brutally gunned down again—this time with fatal results—and my world goes spinning.

There’s only one word to describe your dad getting shot a dozen times: cool. I was twelve. The cost of terrible violence was more than just unknown to me—it was negligible. I never doubted Dad would live. He could put footballs into orbit, just like Superman. Only good things came from the shooting: my sixth grade popularity profile went way up and, bonus, my family got on national television. William Shatner said Dad’s name! That was the peak. The comedown was finding out Dad was human after all—fallible. He saw the world simply. Matters of faith were matters of fact to him. It frustrated us both that I so desperately sought a deeper, seemingly elusive understanding of things. Then, when I was nineteen, Dad was killed in another shooting and I started an investigation into who he really was and what he was all about. I’ve never been as distraught or learned so much in such a short period of time as I did during the week that followed.

My book, THE OTHER SIDE OF FEAR: A COMING-OF-AGE STORY BETWEEN TWO SHOOTINGS, is an uplifting personal memoir about forgiveness, the challenges of faith, and how losing a parent can, in fact, be a very good thing.

If you are interested, I’d love to send you the completed 88,000 word manuscript. I’m a former Art Director, the writer and illustrator of the YA novel “Paper Bag Mask”, the creator of the comic “The SuperFogeys”, and the award-winning filmmaker behind the short film “The Shift”, now streaming at VidAngel.com. I live with my wife and three daughters in California. I look forward to hearing from you soon.

Brock Heasley

 

It’s not terrible, is it? It doesn’t seem like much now, but man did a lot of work and revision go into it. And every time I hit “send” on an email and put it out into the digital ether? A heart-stopping moment. Every time. (That’s also about when I would second guess literally every single word in the email, but let’s not get into those neurotic weeds.)

I would be very happy to never send that letter again, and the thing is…I kind of think I’m never going to. Because, yesterday, I got another email back from one of the people I’d submitted to. It was a brief email. I knew immediately it was another rejection. The brief ones always are, and I’ve gotten so many I’m just numb to them. I feel no anticipation whatsoever, no thought at all that the letter back with be anything other than a rejection, so what’s to get worked up about?

Like I said, it was a short letter.

But (and you’re ahead of me here by this point), it wasn’t a rejection at all. It was an offer of publication. One of the two publishing houses I’d submitted to got back to me and they “love” the book and would like to publish it. It was that simple. A short email, giving me one of the greatest bits of news I’d heard in quite some time.

I spent a year getting to this point the last time I shopped this book, all those years ago. This time, it only took a month. I didn’t see that coming.

Now, there is a big difference between this time and last time. Normally, publishing houses are not places authors have access to. You need an agent to even approach the larger publishers, but for smaller and more niche publishers you just need a great, marketable story. The two houses I submitted to were chosen carefully. Both of them cater to the exact audience I think would really come out and support this book, and both of them have a long history of success.

The one who wants to publish the book? The very first submission I made this year.

I’m purposefully not telling you the name of the publisher. You might know it, you might not, but I’ll only feel comfortable sharing it once the dotted line is signed. There’s still a lot to figure out. There is the matter of what the contract looks like, of course, but also all those agents and the other publishing house I haven’t heard back from. It is customary to give notice of an offer to give everyone a chance to put the submission on the top of the pile and determine whether they’d like to pursue it or not. After a short period, I’ll close the window and make a decision.

In the meantime, I’m excited to talk to the interested publisher and find out more about what they see for The Other Side of Fear and what our agreement looks like. That’s the next step for them. The next step for everyone else is just to wait and see what happens.

But, barring some massive issue I don’t see coming, The Other Side of Fear will be published. How about that?

Photo by Brett Sayles from Pexels